This week’s issue of Moon Knight – the conclusion of the Shadowland event – will be my last.
When Marvel asked me to consider tackling Moon Knight, I told them I’d only do it if I could do something really different, as the character’s last reinvention – at the hands of Charlie Huston (and taken over by Mike Benson) – had been solid, innovative, and clever. It had reintroduced Moon Knight to a new generation of readers while keeping a great, dark, street edge on the character. I didn’t want to do more of the same because I feared I would only be doing a pale imitation of what they had already done so well. So my decision was to do Moon Knight BIG, bigger than any comic I’d yet written. My early work focused on the Foolkiller, Punisher, and Wolverine – street-geared, noirish crime stories where the killer-hero toted a gun, a sword, or a samurai blades attached to his hands. This was a natural transition for me coming out of my novels, particularly off the Tim Rackley series, which I considered my action-meditation on vigilante justice.